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Film Analysis: Sleaford Mods' Jason Williamson Takes On Role in Sceptical Look at 90s Rave Culture

Helmed by Bristol sound co-founder Geoff Barrow, this sharp-edged if undernourished debut feature turns a sceptical eye on 90s rave culture. Venal pillhead David (Marc Bessant) first robs an passed-out supplier, then in another flashback tries to burgle his own family home. In no time, he's upside down in the remains of his car in a forest – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The central theme – that the ecstasy generation were primarily out for themselves – is firmly made. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Woodsman arrives, enraged after David strangles his dog. Nevertheless, a grimly amusing duel takes hold – David desperate to escape; the Woodsman withholding his jerrycan of cider, determined to dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Music Video Vibe

There is only one important plot development, but it results in a comically executed rampage on the forest trails that veers toward rural terror. Director John Minton at last unleashes with his showy imagery: where he was hunkered down doing artful shots of bugs in headlights in the early stages, he now goes all out with the full lysergic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

Game is in British and Irish theaters from 17 November.

The writer

Cheryl Pena

A tech journalist with over a decade of experience covering digital transformations and startup ecosystems across Europe.

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